He uses real cymbals, high hat and snare drum. I like the sound of the kick and the lower toms. Our drummer has a Roland E kit, a bit older but an expensive one. I always feel like I am just triggering samples with other electronic drums. It does lots of other cool stuff, some of it profoundly weird but I always feel like I am really playing it. Push down on the head while playing, the pitch changes. If you scratch the head with your fingernails it will come out of the speakers. If you move from the center to the rim, it sounds like a real drum. Very touch sensitive, it does not play samples. That said, the snare drum presets sound and play like a great snare drum and that is where you might want it. Programming is versatile but incredibly bad in terms of layout. You'll have to forgive it for being fairly thin. I have one, I feel that it is one of the most important studio instruments I own. I am not much of a drummer but I will add that you owe it to yourself to try the Korg Wavedrum Global. My ideal kit would be the Alesis Strike Pro SE with my acoustic cymbals. I have a set of L80 low volume cymbals for practicing and a full set for recording/gigging. I will say that no matter the kit, I HATE RUBBER CYMBALS!!! If (ok, when) I buy a new e-kit, I'll be using my acoustic cymbals with it. I've owned both Alesis drum machines and modules as well as Roland drum modules. The sounds were less inspiring to me, although if you like to tweak, there are more options to edit and come up with your own kits. The Roland kit felt a little small and still "electronic". It felt better to play, the rack gave it a solid base, heads felt better, sounds are great. Sounds (again, subjective, but to me they sound kind of "linear" or compressed)Īfter playing both, I prefer the Alesis kit. Mesh heads felt great (upgraded from original strike pro) Good sounds (better IMO, but that's subjective) I pretty much had the same experience that he did: I compared the strike Pro with the VAD306 since they are the same price point ($2,499) and I am after a kit with bigger drums (not pads) and an acoustic kit look. It adds up to unprecedented flexibility and programmability, combined with total mastery of the kit’s status.) as I specifically visited the Alesis and Roland booths at NAMM this year to play their new e-kits. Every feature and control is incredibly easy to keep track of, thanks to the Strike Pro Module’s 4.3-inch color LED screen, which displays all the player’s settings and choices at a quick glance. With this editor players can assemble their own custom samples into multiple velocity layer and round-robin instruments, piece together the perfect drum kit, and then transfer it onto the module via USB. The module has onboard sampling capability, 16GB external card storage, and USB/MIDI connectivity, which you can use in conjunction with your favorite music production software as well as the powerful Strike Software Editor. A large measure of the amazing playability and character of this kit is due to the expansive sound library with over 136 custom kits made from over 1800 instruments and 45,000 samples. The Strike Pro Module is by far the most versatile and capable module that Alesis has ever offered.
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